Nyarlathotep: The Crawling Chaos! I am the last . . . I will tell thee audient void. . . . I do not recall distinctly when it began. I have arisen out of the blackness of twenty seven centuries! Hideous whispers speak to me from another dimension. Swarthy, slender, and sinister, always buying strange instruments of glass and metal and combining them into something yet strange. Horrible and impressive beyond my most fevered imaginings. Feeding upon the nightmares of the innocent! How tasty! Feeding upon the nightmares of the innocent! Blood gushes in the streeeets! Feeding upon the nightmares of the innocent! How tasty! A sickened, sensitive shadow writhing in hands that are not hands, and whirled blindly past ghastly midnight's of rotting creation, corpses of dead worlds with sores that were cities, charnel winds that brush the pallid stars, Oh they flicker so low. Screamingly sentient, dumbly delirious, only the gods that were can tell. I have drifted between the titanic snowdrifts, quivering and afraid, into the sightless vortex of the unimaginable. Nyarlathotep haunts your worst nightmares. Through the stifling night and up the endless stairs, into the choking room. Shadowed on a screen I saw hooded forms amidst ruins. Yellow evil faces peering from behind fallen monuments. X2 The Crawling Chaos seeps into your mind through your darkest nightmares. Endless darkness brought forth from the blackest gates of old. X2
supported by 78 fans who also own “III. Nyarlathotep: The Crawling Chaos”
Two impressive vocalists, variable and skilled guitarists and a tight and very powerful rhythm section. That plus the ability to write a song really leaves nothing left to desire here. mourner
supported by 66 fans who also own “III. Nyarlathotep: The Crawling Chaos”
Symphonic stuff in metal doesn’t make its way into my collection aside from a couple of early Cradle albums. The orch here though just ads to how huge this band sounds. It makes elements in the songs more immersive. There are plenty of breaks from orchestration where its in deathcore/slamming brutality mode. While not ignorant, the songs never play with time or get mathy making it accessible and memorable. Came out 2015? Impressed. Mitch Mitcherson