Nyog' Sothep: The Nameless Mist. Even his name is nothing but a cipher in the black tongue of the Outer Gods. A dark cloud of mist surrounds those bound by his atrocities. The binding rituals for calling Nyog’Sothep are thought to have been given to mortalkind by Nyarlathotep himself. Unforgiving, Ruthless and Cruel! Ever ready to give mankind another gift that leads to extinction. X2 This worm drains the lifeforce from our souls. How can one wish to call forth such an horrendous being? An identity shrouded in mystery deception embodies this being. X2 Manifesting as a pillar of mists, Swarming with Phantasmal eyes, Hordes of ravenous jaws, Thee echo of cracking bones! Engulfed and overwhelmed! We are soon to be bound! By the laws of his mist! Bound to perversity!
[Dickie Allen]
Shrieking as his claws gouge deep into my back. Peeling flesh away to reveal the spinal cord. He peers into the gateway to my soul. Ripe and fresh for the taking! I feel his icy cold grasp on my very being, Nyogsothep take of below. Eyes fade a pearly white as the wolves howl at my departure. I am no more!
Engulfed and overwhelmed! We are soon to be bound! By the laws of his mist! Bound to Uncertainty. Thee Echo of cracking bones wont leave my soul alone! X2
supported by 78 fans who also own “II. Nyog' Sothep: The Nameless Mist [Feat. Dickie Allen of Infant Annihilator]”
Two impressive vocalists, variable and skilled guitarists and a tight and very powerful rhythm section. That plus the ability to write a song really leaves nothing left to desire here. mourner
supported by 66 fans who also own “II. Nyog' Sothep: The Nameless Mist [Feat. Dickie Allen of Infant Annihilator]”
Symphonic stuff in metal doesn’t make its way into my collection aside from a couple of early Cradle albums. The orch here though just ads to how huge this band sounds. It makes elements in the songs more immersive. There are plenty of breaks from orchestration where its in deathcore/slamming brutality mode. While not ignorant, the songs never play with time or get mathy making it accessible and memorable. Came out 2015? Impressed. Mitch Mitcherson